Azhagiya Tamizh Magan - music review

Arrite, I am trying my hand at music review now. Why not? Isn't being a critic easier than receiving criticism.

Reviewing a Rahman album is a difficult thing to do because you don't want to make the mistake of doing it too soon. It is a well known fact that his music grows on you; 20-30 hearings is about an optimal period to start thinking about dissecting the notes. Having gone past that threshold, let us see how the Mozart from Madras fares with his latest offering, keeping in mind that it is for a mass hero.

Lets start with Ella pugazhum. You can't miss the striking resemblance to 6.5 kodi pergalin oruvan from A Aa; Rahman's vocals only strengthens the feeling of deja vu. Needless to say, it is Vijay's intro song. Nothing much to write about the lyrics - as usual glorifying the protagonist and advising the youth (as if they haven't heard it before). Nothing creative.

Kelamal Kaiyilae: This song is full of techno beats and resembles those songs that usually feature in side B as a remix of the most popular song of the album (For e.g., Chaiyya Chaiyya - Thaiyya Thaiiya from Dil se); only this time this is all you get. That being said, it is a very nice melody with soft beats in the background. If you choose to ignore the strong resemblance to "Then merku paravu katru" especially in the second interlude, it is a very nice song. Sung by Sriram Parthasarathy and Saindhavi - two new singers.

Maduraikku Pogathadi: This is currently my favorite. Classic folk beat that we have heard a million times, it is Rahman's throwback to his Kilakku Cheemayilae days. Sung by Benny Dayal, Archith, and Dharshana, it is a very peppy number that keeps you excited throughout the time and tempts you to shake a leg or two despite a touch of doli saja ke rakhna a.k.a. Jodi.

Nee Marilyn Monroe sung by Benny Dayal and Ujjayinee is a romantic song along the lines of shaka laka baby or hey hey enna achu unakku that seems to be growing on me. This song has a very fresh and catchy start, especially the "boom shaka lak" piece. The beat, techno sounds and the metallic guitar are very mellowed giving the vocals deserved prominence and the effect is mind blowing. Soft and peppy, this song is like vanilla ice cream over hot fudge brownies. Forget the calories and enjoy it!

Ponmagal Vandaal The song starts out with a strong statement - slow strong beats and Aslam's retro vocals transitioning to rap. The mixing is absolutely spot on. One of the best remixes that falls slightly short of Thee pidikka from Arindhum Ariyamalum (the best Tamil remix I have heard so far)

Valayapatti: Clear resemblance to Avalukku enna ambasamudram iyer hotel from Jillunnu oru kadhal, be it the thavil or the pitch of the male voice. Where the song stands out is the interludes where it transitions into serious Hindustani and Carnatic, a sort of ragamalika. The singers Naresh Iyer, Ujjayinee and Madhumitha have done a good job at a fast paced classical song. Lovable.

Overall, Rahman has tried to be creative within the realms of satisfying the masses. Personally, I think he achieved the perfect mix with Sivaji, but falls short of those high levels this time. While the songs, will definitely become chart busters, but for a couple of songs, it will be hard to listen to them beyond the initial freshness - definitely not a Pudhiya Mugam or Bombay. With plenty of resemblances to older Rahman tunes, I will have to say Azhagiya Tamizh Magan has too many twins to stand out in a crowd of Rahman classics.

GPA: 3/5

P.S: To download/listen to these songs go here.